more stories from this episode
- Cooking show Moosemeat & Marmalade celebrates cultural differences with food and humour
- Katherena Vermette brings Métis history to life in new graphic novel series
- New children’s book explores what sockeye salmon mean to the Gitxsan people
- ‘Survivor artists’: Exhibit highlights work of Sixties Scoop survivors
- Full Episode
She started out with poetry, wrote, The Break, a national bestselling book and is now delving into the world of graphic novels. But Katherena Vermette said she didn’t even know she wanted to write it.
“I was at Portage and Main, my publisher, and I was talking with the ladies there and talking about how cool comic books are and how it’s exceptionally cool when women write graphic novels because they are still an underserved audience in graphic novels,” Vermette explained.
“I was also telling them how they have to get on Métis history because there’s lots of Cree writers, there’s lots of Anishinaabe writers but there’s not a lot of Métis history. So I said, ‘You have to get on that, you have to write about Metis history.’ Which suddenly became me writing a graphic novel about Métis history,” she added.
Then along came the character of Echo Desjardins. She’s a young Métis girl who transports back in time to important moments in Métis history. Vermette described her as a quiet teenager trying to find a sense of community and identity.
In the series titled, A Girl Called Echo, Vermette said the main character is a slipstreamer. She moves from present day to the past. In the first book, Pemmican Wars, she visits Saskatchewan in 1812 where she witnesses a bison hunt, visits a Métis camp and travels along fur trade routes. But Vermette said she didn’t want to explain the details of how Echo moves between worlds.
“It’s just magic. It just happens.”
She did say the visual representation of Echo and her worlds were created by a team. Scott B. Henderson was the graphic artist and Donovan Yaciuk was the colourist.
“I felt like that she kind of thrived in that collaborative space,” Vermette said. “It felt like collaborating with Scott and with Annalee, our editor, it really felt like that’s how she worked best.”
For Vermette, writing about Métis characters and history is and important part of her work.
“Especially when I research into this history, it’s not always told from a Métis perspective. And I think that is wrong and I think that is something many Métis historians are correcting now. And I think it’s exciting to tell these stories and reclaim these stories as our own. They belong to us.”
Retrieved from: http://www.cbc.ca/radio/unreserved/from-graphic-novels-to-tv-cooking-shows-finding-the-heart-and-humour-in-storytelling-1.4491710/katherena-vermette-brings-m%C3%A9tis-history-to-life-in-new-graphic-novel-series-1.4494836
A Blackfoot/Dene author says his first novel has been more successful than he could have ever imagined.
The book, Secret of the Stars, made Amazon’s Top 10 best sellers in Native American literature.
APTN News caught up with Gitz Crazyboy at his first book signing in Calgary.
Retrieved from: http://aptnnews.ca/2018/01/22/indigenous-author-blown-away-by-success-of-first-novel/
TRUTH AND RECONCILIATION IN CANADIAN SCHOOLS
Grade: for all teachers
In this book, author Pamela Toulouse provides current information, personal insights, authentic resources, interactive strategies and lesson plans that support Indigenous and non-Indigenous learners in the classroom. This book is for all teachers that are looking for ways to respectfully infuse residential school history, treaty education, Indigenous contributions, First Nation/Métis/Inuit perspectives and sacred circle teachings into their subjects and courses. The author presents a culturally relevant and holistic approach that facilitates relationship building and promotes ways to engage in reconciliation activities.
It’s been five years since Althea Guiboche started the work that would earn her the title of Winnipeg’s ‘Bannock Lady’.
What started off as just Guiboche handing out bannock to Winnipeg’s homeless in 2013 has grown to an effort that now sees her and volunteers not only giving out a warm meal to people in need, but also working to create a community — or a village — as Guiboche describes it.
The twice-a-month effort, known as Got Bannock?, marked its fifth anniversary this weekend.
Guiboche and supporters celebrated with a community dinner Sunday afternoon.
“It’s been a challenge but it’s been so much fun at the same time,” said Guiboche said during the party held at the Indian & Metis Friendship Centre. “It’s about networking and bringing people in together, sharing, caring and celebrating the village — it’s amazing.”
Guiboche started Got Bannock? after she found herself homeless with her three small children in 2011.
Got Bannock? was officially registered as a charity in 2017 and since her own time living on the streets, Guiboche has become a well-known advocate for Winnipeg’s most vulnerable.
The work has earned Guiboche a number of awards.
“In response to my own homelessness this is what I’ve done,” she said Sunday.
Food and community
Among the volunteers who came out to help serve dinner at Sunday’s celebration was Winnipeg-born Olympian Clara Hughes.
It’s the first time the former cyclist and speed skater has worked with Got Bannock?, something Hughes says fits right in with her work to raise awareness about mental health issues.
“It’s a fantastic program that is providing nourishment for this community,” Hughes said of Got Bannock?.
“Mental health issues manifest differently in every person but they affect more than one in five Canadians and when I look at what people need for wellness, food and nourishment is one thing and community is another thing… that is what is provided here.
“It all goes hand-in-hand, it’s all connected, so for me it’s just everything comes full-circle, and it comes back to human beings being good to each other.”
Got Bannock? serves up fresh meals on the first and third Sunday of every month, and Guiboche says each day sees 300 people fed.
Amazingly all that work is still done without a permanent facility for storage.
Guiboche says finding a space for storage and possibly opening a drop-in centre are among her plans for the charity going forward.
“There’s so many opportunities that can happen,” she said. “I’m not going to stop — I have to do this.”
NEW RELEASE: Two Plays About Residential School (Indigenous Education Press)- honours the fearless voices of residential school survivor Larry Loyie (Cree, 1933-2016) and intergenerational survivor Vera Manuel (Secwepemc / Ktunaxa, 1949-2010).
In the early 1990s, two Indigenous authors wrote about their individual experiences of residential schools. Ora Pro Nobis, Pray for Us by Larry Loyie and The Strength of Indian Women by Vera Manuel were staged a decade before Canada apologised for the residential school system, and 15 years before Canada’s Truth and Reconciliation Commission. Two Plays About Residential School is an updated version in honour of the 20th anniversary, from Indigenous Education Press (Brantford, Ontario).
“These plays shook audiences with the truth about residential schools,” recalls editor, and Larry Loyie’s longtime partner, Constance Brissenden. “Larry Loyie and Vera Manuel courageously tackled a hidden history. Most Canadians didn’t know about residential schools. Others questioned their negative effects.”
With honesty, and often humour, the authors reinforce the voices of survivors. “Two Plays About Residential School is essential reading along the path of truth and reconciliation,” says publisher Jeff Burnham, founder of Indigenous Education Press / www.goodminds.com in Brantford, Ontario.
Larry Loyie spent six years at St. Bernard Mission residential school in Grouard, Alberta. His award-winning books include the national history Residential Schools, With the Words and Images of Survivors (Indigenous Education Press) and two children’s books on the subject, As Long as the Rivers Flow (Groundwood) and its sequel Goodbye Buffalo Bay (Theytus).
In Ora Pro Nobis, Pray for Us, the lively friendship of a group of boys help them survive their residential school years. In Larry Loyie’s introduction to the play, he writes, “For Indigenous people, writing helps others understand who we are and what we went through. It’s a way to share our traditions and our healing journeys.” Larry Loyie spent more than two decades talking to students about residential school history, giving more than 1,600 presentations.
In Vera Manuel’s Strength of Indian Women, four elders prepare for a teenaged girl’s coming-of-age feast. As they work together, the women reveal the secrets of their residential school years. Both of Vera Manuel’s parents, political leader George Manuel and spiritual leader Marceline Manuel, attended residential schools. Vera Manuel, a poet, performer and healer, directly experienced the fallout. “I mourned that little girl who never had a childhood,” she writes in her introduction. “I mourn the mother missing from my childhood, and I gave thanks for the mother who became my loving teacher in adulthood.”
Compassion, humour, and hope mark Two Plays About Residential School and the works of Larry Loyie and Vera Manuel. The anthology is a must for all readers, for teachers, libraries, and collections.
Two Plays About Residential School is available from Indigenous Education Press /www.goodminds.com. To order, call GoodMinds.com, Indigenous book distributor, at 1 519 753 1185, Extension 1, or order online at www.goodminds.com. The book is $19.95, 120 pages, includes two full-length plays, author notes, production notes, photo credits.